Stop 01: Entrance Hall

Transcript

We begin our tour in the Entrance Hall, the focal point of the upper class Victorian home, offering visitors their first impression of the household. Here, reaching nearly 15 feet in height, is the hall stand, a striking and elaborate example of 19th-century craftsmanship. Note the detailed figures on the hooks.

On the first floor of the north wing, every piece of wood paneling is fashioned from rich black walnut. The interior entrance doors feature etched glass bearing the “R” monogram, a tribute to the Richardson family. You will also see the original stained glass transom above the door.

Perhaps you noticed the exterior entrance doors are each distinguished by a centrally placed lion’s head. This may be a nod to Max’s August birthday and his Leo zodiac sign. Back inside, flanking the entrance, closet doors lead to additional storage, while two antelope trophies—part of Max’s personal collection—hang above, reflecting his passion for hunting in Canada and the American West.

The chandelier above you, with the elaborate details, is a fascinating blend of gas and electric technology. In an era when early electric lights were unreliable, the family could use gas as a backup. In contrast, the chandeliers in the main rooms remain in their original state, never electrified, and were illuminated by coal gas.

Another notable element in the hall is the calling card table, now safeguarded by a plexiglass cover. In its day, this table likely held a small tray and served as the designated spot for servants to deposit calling cards from visitors. 

Move to the Reception Room, through the door to the left of the hall stand.